This is a song I wrote late last year, it is just an experimental version and I have actually changed it a lot since - there is a different structure and verse melody.
I had fun playing with feedback loops, but it's not quite how I would want it to sound.
We are all agreed that your theory is crazy. The question which divides us is whether it is crazy enough to have a chance of being correct. My own feeling is that it is not crazy enough.
Returning to the arrangement of words for novels, like a shipwrecked sailor ordering the pebbles of a beach to spell out SOS - or perhaps 'wish you were here', to passing planes.