Fortuity

At the end of a busy Friday at work I took a walk across the Heath, as the first slight bruising of evening came to the sky.

I went to the place I go to meditate and shut my eyes, birdsong trilled and the soft air played around me. Stillness and thought within and without.

When I walked on, the sky was a thoughtful blue, and the trees were set against it like fine ink sketches.

I watched a small flock of birds fleet over my head, stark against the sky.

And I was taken by the simple beauty of what I was witnessing. Behind me, over the hill, a cotton candy wisp of pink behind a cluster of trees.

So I walked on, and down towards the silver ponds. Passing by I saw a woman, obviously nauseous, holding onto the fence. I turned back and I asked her if she was okay.

She was a little embarrassed, but glad of the distraction, glad of the support.

And then we recognized each other.

Mike?

I knew her years ago, from school and mutual friends. An intelligent and pleasant lady.

It was ‘morning’ sickness, she was nine weeks pregnant, unable to tell anyone, or many people, at any rate.

So I distracted and bolstered her, we walked to her car she thanked me and I said goodbye.

It was a nice, fortuitous moment.

Joanna Newsom

Live review:  Joanna Newsom, Royal Albert Hall, 28 September 2007
 
When I was asked to go to this concert, I was trepidatious, even reluctant.  I had heard her name mentioned before and I had attempted to listen to her earlier works, but her naif screechy voice had completely horrified me, if I am honest.  I could not get beyond the broken glass voice that scraped and scratched against the pristine elegance of the harp.  But I was convinced to go, nonetheless.
 
So, in the prestige of the second tier of the Royal Albert Hall, we took our seats, directly opposite the stage.  We had opted to enjoy a meal rather than see Roy Harper, which may have been a mistake, it was a good meal, nonetheless, and I prepared to be aurally assaulted by screech owls for an hour.
 
She came onto the stage with a winsome humility, and she spoke in a friendly and unassuming way to the audience.  And then, with a guitarist, a violinist and a drummer she began to play.
 
And from the first bars of music, ‘Bridges and Balloons’, the sound swelled up and around the vast hall and I found that I was crying.  Not out of sadness, but because of how utterly – overwhelmingly – beautiful the merging sounds and lyrics were.  In the living, breathing, soaring music was something that I had missed, there was an honesty and a fragility that was so compelling that it was impossible to not feel it.  And from that point on I was completely mesmerised. I think that when she played Sawdust and Diamonds I felt that I had actually travelled to a forgotten land.  It was, in the end, one of the most memorable, beautiful and suprising concerts I have ever had the good fortune to attend.
 
I expected to be assaulted by screech owls, but instead I was lifted from the ground by a fleet of a hundred rainbow plumed parrots, and flown to a beautiful place.

(guitar tab of Bridges and Balloons to go here, shortly)